Deepika Padukone looks regal in the latest ad shoot for Sabyasachi, see pics

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Deepika Padukone is one of the most beautiful actress in bollywood. The actress has recently left us in awe of her beauty as Rani Padmini in the recently released magnum opus, Padmaavat.

And now, the actress turned muse for well-known designer Sabyasachi Mukherji and looks every-bit royal in it.

The lady is wearing some beautiful organza sarees for the shoot with kundan jewellery. Designer Sabyasachi shared the photos and described the three pictures in detail.  These photos are a part of the designer’s new venture for a reputed paint brand.

Checkout the pictures here:

 

The homes of North Calcutta always fascinate me. Through winding lanes and decrepit alleys, one often stumbles upon ‘Paradise lost’. Humble tea stalls, crumbling book binding factories and dingy mustard oil presseries make way for forlorn palaces and music rooms of erstwhile ‘zamindars’. A lesson in sheer hedonistic maximalism. Osler and Baccarat chandeliers, completely engulfed in a shroud of cobwebs occasionally twinkling in the late afternoon sunlight, Devonshire china holding on for dear life on creaky cabinets, jostling for space amidst hand-painted tin and an occasional Lifebuoy soap perched precariously on a silver salver. Works of great European and Bengali masters co-existing in communal harmony with a calendar from a local pharmaceutical company, a withering taxidermy and Fuji-colour rendered black and white family portraits. As a parakeet and a cockatoo chirp in unison from the courtyard, my fingers swipe the dust from the walls to unveil yet another treasure. A hand-painted wallpaper from Paris, finely outlined with 18 carat gold! And one thought one knew the city! #Sabyasachi #TheWorldOfSabyasachi #TheSabyasachiArtFoundation #DeepikaPadukone #AsianPaints #Nilaya #SabyasaschixAsianPaints #SabyasachiForNilaya @worldofnilaya @asianpaints @deepikapadukone

A post shared by Sabyasachi Mukherjee (@sabyasachiofficial) on Feb 4, 2018 at 6:34am PST

If you grew up in Bengal at the time I was growing up, sometime between late seventies and early eighties, you would know that the consumer was the designer. I spent hours watching my mother and her friends stretching organdy sarees over hand frames and hand painting exotic blooms on them. More often than not, they would match the blooms in their sarees to the real blooms on their hair. Talk about style! This is my homage to them. My mother and all her Bengal art school friends. What they lacked in terms of resources, they always over compensated with imagination. That is the true art of dressing well and good housekeeping! #Sabyasachi #TheWorldOfSabyasachi #TheSabyasachiArtFoundation #DeepikaPadukone #AsianPaints #Nilaya #SabyasaschixAsianPaints #SabyasachiForNilaya @worldofnilaya @asianpaints @deepikapadukone

A post shared by Sabyasachi Mukherjee (@sabyasachiofficial) on Feb 4, 2018 at 6:47am PST

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In 2002, I rented my first apartment. And moved in there with my tailors and pattern makers. It was all under a thousand square feet. It would become my home, my factory and my atelier! I hand-painted the walls in ‘Bengal Red’ with motifs of flora and fauna inspired by the tree of life! The horses back then did look like rabbits and one bird I am sure looked a bit like a nondescript reptile. Old habits die hard and so a better version of the tree of life makes a second appearance. In Coromandel Red – dextrously hand-painted by The Sabyasachi Art Foundation. #Sabyasachi #TheWorldOfSabyasachi #TheSabyasachiArtFoundation #DeepikaPadukone #AsianPaints #Nilaya #SabyasaschixAsianPaints #SabyasachiForNilaya @worldofnilaya @asianpaints @deepikapadukone

A post shared by Sabyasachi Mukherjee (@sabyasachiofficial) on Feb 4, 2018 at 6:42am PST

The homes of North Calcutta always fascinate me. Through winding lanes and decrepit alleys, one often stumbles upon ‘Paradise lost’. Humble tea stalls, crumbling book binding factories and dingy mustard oil presseries make way for forlorn palaces and music rooms of erstwhile ‘zamindars’. A lesson in sheer hedonistic maximalism. Osler and Baccarat chandeliers, completely engulfed in a shroud of cobwebs occasionally twinkling in the late afternoon sunlight, Devonshire china holding on for dear life on creaky cabinets, jostling for space amidst hand-painted tin and an occasional Lifebuoy soap perched precariously on a silver salver. Works of great European and Bengali masters co-existing in communal harmony with a calendar from a local pharmaceutical company, a withering taxidermy and Fuji-colour rendered black and white family portraits. As a parakeet and a cockatoo chirp in unison from the courtyard, my fingers swipe the dust from the walls to unveil yet another treasure. A hand-painted wallpaper from Paris, finely outlined with 18 carat gold! And one thought one knew the city! Video Courtesy: Sabyasachi #Sabyasachi #TheWorldOfSabyasachi #TheSabyasachiArtFoundation #DeepikaPadukone #AsianPaints #Nilaya #SabyasaschixAsianPaints #SabyasachiForNilaya @worldofnilaya @asianpaints @deepikapadukone

A post shared by Sabyasachi Mukherjee (@sabyasachiofficial) on Feb 4, 2018 at 6:37am PST

If you grew up in Bengal at the time I was growing up, sometime between late seventies and early eighties, you would know that the consumer was the designer. I spent hours watching my mother and her friends stretching organdy sarees over hand frames and hand painting exotic blooms on them. More often than not, they would match the blooms in their sarees to the real blooms on their hair. Talk about style! This is my homage to them. My mother and all her Bengal art school friends. What they lacked in terms of resources, they always over compensated with imagination. That is the true art of dressing well and good housekeeping! Video Courtesy: Sabyasachi #Sabyasachi #TheWorldOfSabyasachi #TheSabyasachiArtFoundation #DeepikaPadukone #AsianPaints #Nilaya #SabyasaschixAsianPaints #SabyasachiForNilaya @worldofnilaya @asianpaints @deepikapadukone

A post shared by Sabyasachi Mukherjee (@sabyasachiofficial) on Feb 4, 2018 at 6:50am PST

In the pics, Deepika posed with grace and elegance for the designer’s new venture.

On the work front, Deepika Padukone’s latest release Padmaavat is inching closer to the 200-crore club.

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